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Camille Pissarro
The Young maid
mk103
1896
Oil on canvas
61x50
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Camille Pissarro
Self-Portrait
mk103
1903
Oil on canvas
41x33.3
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Camille Pissarro
Pick Apple
mk106
1888
Oil on canvas
60x73cm
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Camille Pissarro
The Woman on the side of Wall
mk106
1886-1888
Oil on canvas
65x81cm
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Camille Pissarro
Kitchen Garden at L-Hermitage
mk141
1874
National Gallery of Scotland
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Camille Pissarro
The Gardener,Afternoon Sun,Eragny
mk141
1899
Oil on canvas
92x65cm
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Camille Pissarro
Woman under the bean frame
mk259 1891 Oil on canvas 55 x 46 cm
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Camille Pissarro
The Marne at Chennevieres
mk156
1864
Oil on canvas
91.5x145.5cm
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Camille Pissarro
Place du theatre francais a paris
mk156
1898
Oil on canvas
65.5x81.5cm
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Camille Pissarro
Boulevard Montmartre in Paris
mk159
1897
Oil on canvas
73x92cm
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Camille Pissarro
The Boulevard Monimartre at Night
mk170
1897
Oil on canvas
53.3x64.8cm
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Camille Pissarro
The Cote des Boeufs at L-Hermitage
mk170
1877
Oil on canvas
114.9x87.6cm
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Camille Pissarro
L-etang de Montfoucault
mk183
Signed and dated 1874
Oil on canvas
60.3x73.3cm
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Camille Pissarro
Briqueterie a Eragny
mk183
Signed and dated 1888
Oil on canvas
57.8x71.8cm
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Camille Pissarro
The Woman is sewing in front of the window
mk191
1877-1879
Oil on canvas
54x45cm
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Camille Pissarro
Pick Apples
mk191
1888
Oil on canvas
60x73cm
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Camille Pissarro
Detail of Pick Apples
mk191
Oil on canvas
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Camille Pissarro
Detail of Pick Apples
mk191
Oil on canvas
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Camille Pissarro
Detail of Pick Apples
mk191
Oil on canvas
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Camille Pissarro
The Apple Pickers
mk192
1886
128x128cm
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| Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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